Absit Omen

The Gramophone has put much (all?) of their archives on-line, but the texts have been OCR’d, and the results are as one would expect: often erroneous and sometimes unintelligible. My favorite typo so far is from the review of one of my favorite CDs, the recording of Arriaga’s three string quartets by the Sine Nomine Quartet, or, as the Gramophone puts it in the title of the review, the “Sine Numine Quartet”.

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